Say ADIÓS to the Summer
As another summer comes to a close, we in the Pacific Northwest are painfully aware that it's time to say goodbye to our life-giving globe of warmth and light. This inspired me to republish a review I once wrote of a children's book called:
La Lagartija y el Sol (the Lizard and the Sun)
By Alma Flor Ada
Illustrated by Felipe Dávalos
This
beautifully illustrated children’s book delivers a Mexican folktale in English
and in Spanish. The story takes place in the pre-colonial days of
the Aztec empire. It begins with a crisis: El sol no salía y todo
estaba en tinieblas. It’s
not really explained why the sun doesn’t want to wake up (he’s bored with his
job?), but all of Monteczuma’s horses and all Monteczuma’s men
couldn’t get a rise out of ‘ol Sol. Actually there were no horses in
Mesoamerica in those days, but el emperadodoes employ a woodpecker
with a rock-hard beak and a tenacious little emerald lizard to help resurrect
the sun and end the darkness. I won’t give away their trick, but I
will say the book ends (spoiler alert) like a Rudyard Kipling “just so” story—Y
desde ese día, a todas las lagartijas les encanta dormir al sol—which
explains why it is that lizards love to bask in the sun (of course, we could
consider reptilian ectothermy, but that would diminish the story’s charm.)
The colorful paintings of this book
are very captivating. They are based on the Aztec style of picture
writing, the 2D glyphs seen on ancient ceramic vessels and ritual codices
painted on deer skin. I first saw these stylistic images, where all
the figures are seemingly drawn in profile, in my sixth grade history
book. Growing up in Southern California, we learned an appreciable
amount about Mexican history. I recall the Aztec soldiers in jaguar
and eagle suits wielding their ornate battle clubs bravely, but futilely,
against the firepower of the Conquistadores. I’ve since seen the
stylistic art of the Aztecs in countless Mexican restaurantes,
especially the famous Aztec calendar stone (that amazing disk-shaped sculpture
comprised of a series of intricately detailed concentric rings that draw your
attention to the sun god Tonatiuh, who sticks his tongue out at you from the
center.*) But the paintings of this book are rendered in a fully 3D fashion, as
if Quetzalcoatl pulled his creations out from the world of flat glyphs and into
the 3D world.
There are floating chinampas, oversized
headdresses, plazas and pyramids, and authentically gargantuan ear piercings
(but no obsidian lip plugs thankfully). And despite the focus on an
Aztec style, a little Diego Rivera influence makes its way into the art—making
it a truly Mexican production.
*Actually, what appears to simply be a tongue dangling from the god's mouth is an obsidian knife--a reminder of the god's thirst for human sacrifice. I thought I'd leave that little detail out of a children's book review.
Palabras Profundas
resplandecer – to glow
resplandeciente - glowing
trono – thorn
descubrimiento – discovery
pájaro carpintero – woodpecker
despiértate – wake up!
florecer– to bloom
alumbrar – to light up
Linkos